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The Emotion of Poetry


the Emotion of Poetry

of Catullus, Terence, and Lucretius, and that of Statius or Claudian; and in our own country, in the age. Maybe the person unintentionally triggers one of the, probably many, physiological mechanisms through which such an experience can be reached. 13 But, as the pleasure which I hope to give by the Poems now presented to the Reader must depend entirely on just notions upon this subject, and, as it is in itself of high importance to our taste and moral feelings, I cannot content. History of poetry, poetry as an art form predates literacy. In 1925, James Leuba wrote: "Among most uncivilized populations, as among civilized peoples, certain ecstatic conditions are regarded as divine possession or as union with the Divine. Other 20th-century poets, however, particularly the surrealists, have pushed rhetorical devices to their limits, making frequent use of catachresis. Another circumstance must be mentioned which distinguishes these Poems from the popular Poetry of the day; it is this, that the feeling therein developed gives importance to the action and situation, and not the action and situation to the feeling.

Alliteration played a key role in structuring early Germanic and English forms of poetry (called alliterative verse akin to the role of rhyme in later European poetry. 18 Nor let this necessity of producing immediate pleasure be considered as a degradation of the Poets art. In classical Greek literature it refers to removal of the mind or body "from its normal place of function." 1, total involvement with an object of interest is not an ordinary experience because of being aware of other objects, thus ecstasy is an example. Milan Kundera on ecstasy: a" from Milan Kundera's book "Testaments Betrayed" (1993) Marghanita Laski, "Ecstasy. The introduction of writing tended to fix the content of a poem to the version that happened to be written down and survive. When I think upon this degrading thirst after outrageous stimulation, I am almost ashamed to have spoken of the feeble endeavour made in these volumes to counteract it; and, reflecting upon the magnitude of the general evil, I should be oppressed with no dishonourable melancholy. 24 If I had undertaken a systematic defence of the theory here maintained, it would have been my duty to develop the various causes upon which the pleasure received from metrical language depends. I have wished to keep the Reader in the company of flesh and blood, persuaded that by so doing I shall interest him.

the Emotion of Poetry


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